| a little
about flash fiction |
Mark Twain apparently
said that if he had had more time, he would have written a shorter
story...
With only several thousand words in which to tell their stories, short
fiction is an art form in which every word counts. There is
little room for anything which doesn't serve the story. A great short
story is like a slap in the face, brief enough to devour in one
sitting, leaving the reader gasping at what can be done in just a few
pages.
Flash fiction refines this even further. Also known as short shorts,
sudden fiction, micro fiction, postcard fiction, prose poems, these
terms refer to stories which are
less than 1000 words long, and often much much shorter. Every word,
every comma, every line break is crucial in these tiny fictions. While
their extreme brevity allows for a looser definition of the
beginning-middle-end story structure, these are not "fragments", they
are complete unto themselves.
This isn't something
new, something invented by the "Internet
generation" to fit onto a tiny cellphone screen or to suit increasingly
hectic lifestyles. Jorge Luis Borges, Margaret Atwood and
Raymond
Carver are just some of the "big names" whose flash fiction is widely
available.
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Sometimes
resembling poetry in the way their language twists and turns, flash
fiction is increasing in popularity and can be found in literary
magazines online and in print across the world, in many languages. In
China, these tiny fictions are called "smoke-long" because they can be
read in the time it takes to smoke a cigarette!
Half the stories in The
White Road and Other Stories fall under the definition of
flash fiction. Read two examples: Plaits
and I
am A Camera. Tania
is currently
working on a collection of flash fiction.
More on flash
fiction: Mslexia's article on The Joy of Flash Fiction, Writing-World's
article Flash What?, Writing Flash Fiction on The
Fiction Factor
Read some flash fiction:
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